Opinions

The life is good

Of brown Maida

And 'difficult she count the positions, favourable or adverse, in the comparisons of the movie "the life is Roberto's "fair copy" benign. Her argue the way in which comes treated them characteristics artistic (but hips them positions policies) some author her cooperation some center of documentation Hebrew contemporary of Milan am everybody elements what not can what determine a debate at times profit at times in truth sconcertante.Laddove him criticizes the value artistic some does not can what do a come back listening who him understands and affirming only the right to the mine taste staff. Can not however hide to have found the movie extremely convincing of benign am in the capacity to dash (if only with a few falls: The grotesque one excessive with which draws king and the queen; the too consolatory conclusion) that dramatic phase of the Italian history is to combine cheerfulness and drama, happily, with strokes chapliniani which escaping is to difficult, the translation of the speech of the SS is worth for everybody. But the movie seems to me convincing hips in the rhythm, the narrative plot, the sufficiently in-depth personalities, in sincere and careful acting of benign what proves to be indeed a large interpreter here. Si pensi alle sfumature che pian piano nel film mutano il volto di Benigni, immagine di un animo sempre più svuotato e alla fine puro involucro divertente ed allegro al servizio delle possibilità di vita del figlio.Laddove, al contrario, interviene l'onda emotiva di chi ha vissuto il Lager o di chi (come Daniel Vogelmann) ne ha conosciuto le drammatiche prospettive di lungo periodo, non posso che condividere e cercare di comprendere la difficoltà con la quale ci si approccia ad ogni opera che tenti di raccontare una dimensione così complessa e apparentemente indicibile.Rimangono tuttavia almeno due piani che necessitano di una ulteriore riflessione e che soprattutto ritengo siano utili per affrontare un dibattito pubblico - ma anche molto sotterraneo - in cui si scontrano idee e sensibilità, troppo spesso quanto inevitabilmente dettate dall'impatto emotivo.In primo luogo, credo che posizioni come quella di Orengo su "La Stampa" o di Teo Ducci su questo giornale - diverse nell'argomentazione ma unite nella sostanza: "The movie of benign I him go and see" do not - they are not shareable and even characterize for an anti-educational element. Am not to my warning shareable because - to the of there some inalienable right to do what that wants - it founded on the prejudice of whom, how Ducci writes, refused "to see all him other movie in what directors of various caliber tried to capriole he what was he and how a Nazi KZ was. About what does one then talk? Some fact that the concentration camp can do not nor must to be rebuilt because an image is not able to return the immense one complexity of words as hunger, cold, fear. And' true but not a historical rebuilding is able to do it either and, I will say more, the most precise one, she makes an attempt and either moving testimony. Here so that he slowly - and here the speech becomes anti-educational - the concentration camp becomes indescribable, not sayable so what slowly goes out of the history, really from that history it seems to "historical" to the movie be really not much well grounded men as Vogelmann or Ducci did much to keep hurrah and presente.In according to place. Can not ask for simple one transposition some reality to leave from the fact - that what seems unequivocal - to an art work (but one some critical to "Schindler' s was not the excessively documentary tone "List?) e che forse ad un'opera d'arte ognuno ha diritto di chiedere (e di leggervi) ciò che vuole, appare secondo me discutibile sostenere - come ha fatto su questo giornale Daniel Vogelmann - che nel film si sarebbe dovuto vedere "quel terribile choc che tutti gli ebrei italiani provarono del tutto inaspettatamente".Mi pare, al contrario, che uno dei meriti maggiori del film - proprio nella sua prima parte - stia appunto nel cogliere con senso storico le molte sfumature di consapevolezza e di atteggiamenti che vi furono nel mondo ebraico (e in quello italiano nel complesso) di fronte alle leggi razziali. Similarly she shows us how for many people the discovery of its Hebrew identity through the experience of discrimination and above all of persecution was born. And he anchors: He helps us to understand as in front of the racial laws one of the attitudes diffuse in the Hebrew community was its what - fed and well-tried in many centuries of persecution - to wait that "went by the night. At last he shows once more the holocaust word is not necessary use it: She was destruction, was Shoah, and really for this "the life is good: Not in order that in the concentration camp he is a humanity to save (the German that wants to only know the solution of the rebus shows it;) not in order that to please must find elements necessarily consoling; not because the myth reproduces "Italians good people" (who organizes the lesson on the Aryan race? Who does the horse paint? Who is indifferent to the Hebrews' destiny?).La life is good simply because many of the survivors some concentration camp had in a less poetic and hyperbolic, a lot of way in incomprehensible and imperceptible, forms in sudden and unrepeatable - gestures a brother, a mother but above all an improvised friend that remembered him the life with a solidarity gesture or only with a tale of the past. Often this that built the possibility of a future is up.

Oliver Tuscan

"Between maximum of Alema and Walter big greyhounds choose Roberto benign. First of all attracting liking of young people toward the party and for this creed what Roberto benign the person suitable for the secretary of the Pds, at least for a po, 'so as make the party several nice and traditional role is is necessary. (Oliviero Toscani, "the Republic", 16 June 1994.)

Fabio Fazio
"Benign he says nothing is not changed: Makes always laugh to the same way, for the same things contesting a power that is able to change everybody to the more (and either always) some name but what remains unbearably hateful and the same as him same. Benign of era yesterday the same as that of today: Even the jacket according to me was same her. Same suits, same impetuousness, same melancholy, same been surprised incredulity and identical hold of distance from that power. (Fabio Fazio, "the unity", 27 aottobre 1994.)

Tuscania.net

In TV Roberto benign has always taken the show at a desecrating level and to the limits of the scenic exasperation. The his first apparition on television goes up again at 1976 free wave (Televacca) in the transmission. In the same year begin television apparitions her other Sunday of Renzo Arbore and Maurizio Barendson, where benign interprets the part of a cinematography strange reviewer. In the 1980 Roberto benign presents Sanremo festival: A beat on the pontiff sets off infinite criticisms and removes benign from the little screen for a long time. Years go by about ten. Roberto is invited host to the top transmission of the Saturday evening on RAIUNO: I day-dream. Pippo presents Baudo. Benign him convinces the cloths to exchange him; exhilarating the effect. Some after year benign is still invited to the evening show of the Saturday on RAIUNO: In that opportunity was the Carrà that was not able to stop the charge some set off benign very launched in an exhilarating disquisition on the Italians' sexual lexicon.

"The life is good: Masterpiece incorrect or operation?

mondomania.com

The long run of the movie "the life is good" begun on the Italian cinematography screens at the end of 1996", some author of his concluded in Los Angeles we know, that is with two recognitions to the movie (foreign better movie, better sound-track,) but above all with the consecration in the way interpreter Roberto benign, that protagonist proved to be the better actor. The conquest of this last Oscar, in particular, appears really how an exceptional fact, considering the "autostima" that the American cinema feeds moles compares some products of its national and some actors. In other words, combined it "genius and disorderliness" the Tuscan comic actor, marks in a so particular way seems to have done breach in the United States cinematography world. For what that regards the work, instead, in the last few days the possibility of gaining the Oscar as better movie, parallely to "Shakespeare growth had gone by weakening "in love", that then recognition truly gained the great one. Personally, also finding very beautiful the movie of benign, I am of the idea that was another movie of the cinquina of candidates, to deserve the maximum title (and that "Shakespeare was not sure "in love" that then won;) certainly "the life is fair copy" is superior than many movie that in the last few years won hands down, but this edition some Oscar was seeing some works of excellent level in contest (am enough thinking of "The Truman painful exclusion "show", really very beautiful.) "Flown" across her of benign beyond ocean however had other effects, nearby to those strictly bound mores to the "cinematography healthy competition. About to the Italian film case was born, in fact, a true and his: Determinate environments hated the movie to, filling with indignation him right away in front of the way which a delicate very, painful very and (historically) very recent theme had been in faced by Roberto benign and Vincenzo Cerami (co scriptwriter.) The problem is, so, if some holocaust can laugh if can please treat a so big human tragedy in a "light" way. Favourable and adverse it argued by animatedly, trying to revalue the idea of benign or discredit her definitively; it is obvious, however, in this dispute, and therefore in the judgement concerning the value of the movie, facts completely extraneous and reasonings converged. To be able to discuss de serenely "the life is good" in fact", clarifying fundamental two points first of all seems opportune to me: The influence of the "nomination" and the prize Oscar on the kept promotional value of a movie and the attitude from benign and from the Miramax (the industry film that led the "crusade" of the movie to the conquest some Oscar.)

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